(last edited December 27, 2010)

Write Miami Vice

Learn how to write an episode of Miami Vice

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Miami Vice captured viewer's attention in the first two seasons of its running because of the story and setting. Most police serials on television at the time were placed in cities like New York and Chicago with cold climates and dirty, gray streets and dark courtrooms. Even the series creator, Anthony Yerkovich, developed the series while he was writing and producing for the hit show "Hill Street Blues", explained in interviews that the setting is what set the show apart.

At its root, Miami Vice is a detective story that was updated with crimes that were in the news such as drug running, prostitution and rape, cv writing and placed in a glamorous and sunny setting in Miami. The contradiction between the setting and the story created a dimension that created additional meaning for the viewers. Additionally, the characters were written in a way that made them immediately likeable despite their flaws. The two main characters, Ricardo Tubbs and Sonny Crockett, were both on a hunt for meaning. Tubbs sought revenge and moved from New York City to Miami to hunt his brother's killer. Crockett was divorced and single and driven to capture evil despite the consequences of the job and how it affects the relationships he has with those around him.

    1. Learn how to write an episode of Miami Vice
    2. Neo-Noir
    3. The Miami Vice Formula
    4. Detective Story
    5. Plot Development
    6. A and B Storylines
      1. A Storyline
      2. B Storyline
    7. Character Development
  1. How to write an episode
    1. Begin with a premise
    2. Ask Questions
    3. The Inciting Incident
    4. The Setup
    5. The Reversal
    6. What is at stake?
    7. Plot it out
      1. Inciting Incident
      2. Middle
        1. Part I
        2. Part II
      3. Ending
    8. Create the Character Arcs
    9. Write the story
    10. Write the dialogue
    11. Rewrite

Neo-Noir

Even in the light-hearted episodes of the first two seasons, the episodes were often punctuated with abrupt endings dealing with death and violence. This allowed the viewers to reflect on the story and the despair of the characters, which heightened the meaning of the episodes. The characters and the viewers became closer through the despair and even the weaker episodes became stronger in the minds of the audience. As the meaning of the episodes soared through this technique, so did the viewership. Unfortunately, the show's producers changed the setting in the third series to reflect the darkness and grittiness of the stories and eliminated the difference between Miami Vice and other serials on television at the time. The famous pastels of the first two seasons were replaced with darker earth tones and the stories were written with more obvious despair from the very beginning of the episodes to the end. With the darker nature of the show, characters became automatons going from scene-to-scene without hope or possibility of redemption. Fans of the show claim the rest of the seasons never matched the first two seasons in terms of cinematic storytelling pos system quality.

The Miami Vice Formula

Of the top episodes rated by viewers of Miami Vice, each one ends in tragedy. Each episode also deals intensely with a relationship between either Crockett or Tubbs and and a guest character and sometimes with a character of the regular cast. The guest character is often someone who had a previous deep relationship with the main character and are now estranged. The guest character is also deeply flawed with contradictions. For example, the character may have been an excellent cop in the past who knew the difference between good and evil but is now involved in a criminal enterprise on some level, whether it's a crime boss, his assistant, or his daughter. Except for being a family member, the characters who are involved in crime do it for the typical reasons: greed. This dilemma sets up a tragedy for the main character because it is his job to eliminate crime and therefore to eliminate his friend, whether it means sending him to prison, killing, or hurting him in some way.

Detective Story

Each episode is a detective story told in four or five acts, which is typical for one-hour television shows.

The stories often include crimes involving drug or weapons trafficking news ripped from the headlines. One of the main characters (Tubbs, Crockett or otimização sites) develops a deep relationship with the criminal or victim who is also involved as a member of a criminal enterprise but has an opportunity for redemption. Many times the redemption is achieved with tragic consequences (e.g., the victim as also the criminal becomes redeemed but still dies).

Plot Development

The episode begins with a teaser that introduces the inciting incident, which begins the main characters on a quest to catch the criminal. The inciting incident creates mystery and the dramatic question that holds our suspense through the entire episode of transportadora.

There is one major plot point per act with a midpoint climax placed at the end of the penultimate act that dramatically moves the direction of the story and increases the stakes of the story. In Miami Vice, this scene is often a kidnapping of one of the main cast members.

The final act includes the story's climax and an abrupt end to the story of Desentupidoras.

A and B Storylines

Miami Vice usually follows an A-B storyline, two plots running parallel.

A Storyline

In most detective stories, the detective has very little involvement with the criminals until the mobili ufficio end, but in Miami Vice the essay paper story revolves mostly around a cat and mouse chase. Crockett and Tubbs spend most of the episodes setting up the criminals until they can catch them with evidence, mostly ending in disaster when the plan doesn't go as they expected. To catch the criminal, Crockett and Tubbs infiltrate the criminal enterprises by taking on other personas and luring the criminals with cash by posing as buyers for their drugs or weapons. Often the criminals chase Crockett and Tubbs because they already know or later discover that they are cops but continue the charade because they believe they may be dirty cops or want to kill them in a final showdown. This helps to maintain the suspense because the viewer knows this custom writing company information before Acompanhantes and Tubbs know it and wonder when the information will be revealed and how it will be resolved.

B Storyline

The second storyline involves the relationship between a member of the criminal enterprise who wants out of it or is helping Crockett and Tubbs to infiltrate the criminals.

Character Development

There are usually five main characters per episode: Crockett, Tubbs, one character from the regular cast, and two guest characters who are often both the victim and the villain, thereby creating the dilemma for the story.

The best stories are always about the relationships between the characters and Miami Vice is no different. As essays explained above, the dilemma often includes the relationship between Crockett or Tubbs and the criminal who is trying to escape from the criminal world or seeking redemption.

Each character follows the typical story arc of an inciting incident, seeking a goal, and aquiring (or not aquiring) the goal, which follows the same form for any story: Marketing Companiesthe beginning, middle, and end.

Every main character also goes through a change, albeit not always a major change. In most episodes Crockett and Tubbs vendita vino change by realizing they're simply in for "more of the same."

How to write an episode


Begin with a premise

Miami Vice's stories were often ripped from the headlines of the city to develop the episode.

Ask Questions

Who is the villain and what does he want?

The Inciting Incident

Think about the event that starts the main characters on their quest with the goal to catch the criminal oroscopo del giorno.

What is the dilemma that stops the cops from catching the criminal? This dilemma involves a relationship with another character. Establish who this other character is, what the character wants, and how it creates a problem for Crockett and Tubbs to catch the criminal.

The Setup

How will Crockett and Tubbs setup the criminal to catch him. Write this out with a beginning, middle, and end as they would like to see it. It is east for essay writer to do it.

The Reversal

After determining what the criminal wants halloween contacts, what event reverses the story and forces Crockett and Tubbs to change their plan in an entirely new direction?

What is at stake?

What do the characters risk by seeking their goal? If there's no risk, there's no story.

Plot it out

What happens in your story? What steps do you need to take before you reach another step futures trading ? Use the following research paper outline as your guide and then plot the sequences and acts. See also the Story Template for guidance.

Inciting Incident

  1. Beginning
  2. Middle
  3. End

Middle

Part I

  1. Beginning
  2. Middle
  3. End (Mid-Point Climax)

Part II

  1. Beginning
  2. Middle
  3. End (Major Reversal)

Ending

  1. Beginning
  2. Middle
  3. End (Final Act's Climax)

Create the Character Arcs

See also Character Arc

Every character follows an arc that has the same structure as the main plot. These character arcs are also the sub-plots.

Write the story

Tell the story step-by-step.

Write the dialogue

Add the dialogue to your story. This is usually the last step.

Rewrite

The first draft will need to be rewritten and polished in several more drafts. After you do this, you have your own Miami Vice episode.

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Edited December 27, 2010 (diff)